In fact, more needs to be read into this story. The popular and adored movie The Lion King illustrates many of the undesirable actions humans take part in. There is very little ambiguity to them — at least, not on the surface.
It is the essence of the fairy tale to objectify differing facets of the child's emotional experience; by showing the underlying identity of polarized and duplicated symbolizations, Bettelheim's readings make sense of much that seems nonsensical, and relieve the tales of much of the cruelty that has turned many parents and educators to tamer, but thinner, narratives for children.
And that is why love is quite rare, if not, in fact, depressingly rare.
All the same, it would be hard to not feel confronted by some of these interpretations and readings. Ball thus puts a direct hex on us by his canvases. In the Brothers Grimm version of the story the ugly sisters are told by their mother to cut off either their toe or their heal to get their foot to fit into the glass slipper.
Good people are GOOD. These kinds of fairy tales help teach children understand difference between right and wrong.They make us human. Hence one may be sure that when he makes decisions, choices in his work, from format and size to material and subject matter, they are absolutely just. Now, this is the bit I never realised before. Perhaps the loss of painting. He reminds us that Cinderella is a story of Chinese origin — hence the small feet as a sign of elegance. And given this was published in it seems much too Freudian than it ought to have been too. Tootle liked to play with flowers, but it was very important that he been kept on the right track could a metaphor be more laboured? There were times when I would have been sure it was written in the s. Bruno Bettelheim is a talented and credit worthy scholar that used his time studying the development of children and then later wrote a book on the impact that literature leaves on a child during their growth.
The author says this is incredibly important as it allows children to know the world depicted is not real and so is a safe place for them to engage their wish-fulfilment — in all its excess and sometimes in all its horror.
He reminds us that Cinderella is a story of Chinese origin — hence the small feet as a sign of elegance. As with any young artist today, Ball is acutely aware of all the myriad possible forms and formats of image making.
What is new, and exciting, is the warmth, humane and urgent, with which Bettelheim expounds fairy tales as aids to the child's growth, which he understands as growth through conflicts, the chief conflict being Oedipal. The realm Ball has reclaimed with his current suite of paintings is that of the magical forests and floating palaces of fairy tale, a place of overt delectation and lush romanticism.